Mountain Writers Series

Board & Advisors

 

 

Chad Bartlett

Chad Bartlett has worked with Mountain Writers Series since 2010. He teaches writing and literature at Mt. Hood Community College in Gresham Oregon. Both a musician and a poet, he has published poems in such journals as Fourteen Hills, Columbia Poetry Review, Sentence, and others. He lives in Portland with his daughter and yellow lab.

 

 

 

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Tom Bremer
 

Tom Bremer was born in Cincinatti and grew up in California. He has a B.A. from St. Mary’s College and an M.A. in Creative Writing from Colorado State University. He lives in Portland, Oregon, where he was co-founder of the Portland Poetry Festival in 1973 and a charter member of the board of the Oregon Writers’ Workshop. Now retired from many years of teaching English, he is the author of three collections of poetry, Par Amour (1986); A Bird That Changes Trees, which was a finalist for the Oregon Book Award in 1988; and Just Once (2001).


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Linda Church

 

Linda Church is Director of Concordia University Libraries’ Multicultural Art & Events in NE Portland, developing and managing all aspects of the program including curating, event planning, and marketing for broad community participation. She is also involved in developing and managing donor relationships for the Libraries and Center for Volga German Studies. A graduate of California State University at Long Beach, she went on to study art at the University of California Santa Barbara, later working in Santa Barbara as a freelance graphic artist, then was director of graphic arts for a printing company in San Diego. As Director of Oregon Relocation for Windermere, she facilitated relocation of individuals and companies. She currently lives in Wilsonville, Oregon with her husband, Mark. Linda enjoys all forms of art, reading, gardening, traveling, and gourmet cooking.

 

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Bob Kreider

 

Bob Kreider is a tax accountant who has been following Mountain Writers since 1988. He has served as Treasurer of its Board of Directors and volunteered as an assistant in the offices since 2005. During the tax season he volunteers his services for AARP, assisting seniors with tax preparation. An avid sports fan and fisherman, he is married, with two grown children and two grandsons. In his spare time, Bob plays hardball and reads the odd book.

 

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Matthew Minicucci

Matthew Minicucci is the author of two collections of poetry: Translation (Kent State University Press, 2015), chosen by Jane Hirshfield for the 2014 Wick Poetry Prize, and Small Gods, forthcoming from New Issues Press in 2017. He is the recipient of fellowships and awards from the Bread Loaf Writers’ Conference, the Wick Poetry Center, and the University of Illinois at Urbana-Champaign, where he received his MFA. His work has appeared in or is forthcoming from numerous journals and anthologies, including Best New Poets 2014, The Gettysburg Review, Kenyon Review, The Southern Review, and the Virginia Quarterly Review. He currently lives in Portland, OR. 

Read more about Matthew at matthewminicucci.com

 

 

Judith Root

 

Judith Root's first collection of poems Weaving the Sheets was published by Abattoir Editions (University of Nebraska at Omaha) and reprinted by Carnegie Mellon University Press. Most recently, Free Will and the River (Limberlost Press) was completed with the assistance of a fellowship from the Idaho Council on the Arts. Her poems, stories and reviews have appeared in Poetry, The Nation, The New Republic, American Poetry Review, Three Rivers Poetry Journal, Commonweal, Paris Review and others. She has taught at colleges and universities across the country: Minnesota, Texas, Iowa, North Carolina, Missouri, Idaho, California. She now lives in Portland, Oregon.

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Karen Reyes

Karen Reyes has been actively involved with Oregon’s literary community since the early 1970s when she joined the board of the Portland Poetry Festival, eventually becoming its president. She was a board member of Oregon Writer’s Workshop for many years and served on the staff of Trask House Books, where she learned both editing and book design, before going on to become a founding editor of Hubbub Magazine. Her master’s thesis, Finding a New Voice: Oregon’s Literary Community between the World Wars, brought her to the attention of Brian Booth, founder of the newly formed Oregon Institute of Literary Arts, who shared a passion for Oregon’s literary history. As the first executive director of that new organization, she was responsible for the design and implementation of the Oregon Book Awards, which has now been incorporated as a Literary Arts, Inc. annual program. She lives in Portland. 

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Ron Talney

 

Ron Talney was born in British Columbia but has lived most of his life in Oregon. He is an attorney retired from a private non-profit legal aid program that provides free legal representation to low-income clients. He has published four books of poems, The Anxious Ground, The Quietness that is our Name, A Secret Weeping of Stones, New and Selected Poems, and, most recently, The Broken World, as part of the William Stafford Chapbook Series and published by Stone City Press. He is also the editor of Stone City I, an anthology of Oregon Poets, published by Stone City Press.

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Sandra Williams

 

Sandra Williams began work with Mountain Writers Series in 1973 at Mt. Hood Community College in Gresham, Oregon, where she taught until her retirement in 2001. In her capacity as director of Mountain Writers Series, she has coordinated Northwest Regional Residencies, which have brought hundreds of authors to the region for literary events at high schools, colleges, and community arts centers. In 1990, the Oregon Institute of Literary Arts presented her with the Stewart H. Holbrook Award for significant contribution toward the advancement of literary life in Oregon. Also a published poet, she was awarded an Oregon Institute of Literary Arts Poetry Fellowship in 1991. Her collection of poems, Detours, published in 1995, was nominated for an Oregon Book Award in Poetry.

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Yusef Komunyakaa

In 1947, Yusef Komunyakaa was born in Bogalusa, Louisiana, where he was raised during the beginning of the Civil Rights movement. He served in the United States Army from 1969 to 1970 as a correspondent, and as managing editor of the Southern Cross during the Vietnam war, earning him a Bronze Star.

He began writing poetry in 1973, and received his bachelor's degree from the University of Colorado Springs in 1975. His first book of poems, Dedications & Other Darkhorses, was published in 1977, followed by Lost in the Bonewheel Factory in 1979. During this time, he earned his MA and MFA in creative writing from Colorado State University and the University of California, Irvine, respectively.

Komunyakaa first received wide recognition following the 1984 publication of Copacetic. He followed the book with two others: I Apologize for the Eyes in My Head (1986), winner of the San Francisco Poetry Center Award; and Dien Cai Dau (1988), which won The Dark Room Poetry Prize.  Since then, he has published several books of poems, including The Chameleon Couch (Farrar, Straus and Giroux, 2011); Warhorses (2008); Taboo: The Wishbone Trilogy, Part 1Pleasure Dome: New & Collected Poems, 1975-1999 (2001); Talking Dirty to the Gods(2000); Thieves of Paradise (1998), which was a finalist for the National Book Critics Circle Award; Neon Vernacular: New & Selected Poems 1977-1989 (1994), for which he received the Pulitzer Prize and the Kingsley Tufts Poetry Award; and Magic City (1992).

Komunyakaa’s prose is collected in Blues Notes: Essays, Interviews & Commentaries (University of Michigan Press, 2000). He also co-edited The Jazz Poetry Anthology (with J. A. Sascha Feinstein, 1991), co-translated The Insomnia of Fire by Nguyen Quang Thieu (with Martha Collins, 1995), and served as guest editor for The Best of American Poetry 2003. He has also written dramatic works, including Gilgamesh: A Verse Play (Wesleyan University Press, 2006), and Slip Knot, a libretto in collaboration with composer T. J. Anderson and commissioned by Northwestern University.  

Komunyakaa is the recipient of the 2011 Wallace Stevens Award. His other honors include the William Faulkner Prize from the Université de Rennes, the Thomas Forcade Award, the Hanes Poetry Prize, fellowships from the Fine Arts Work Center in Provincetown, the Louisiana Arts Council, and the National Endowment for the Arts.

He was elected a Chancellor of The Academy of American Poets in 1999. He has taught at University of New Orleans, Indiana University, as a professor in the Council of Humanities and Creative Writing Program at Princeton University. He lives in New York City where he is currently Distinguished Senior Poet in New York University's graduate creative writing program.

 

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Maggie Anderson

 

Maggie Anderson attended West Virginia Wesleyan College from 1966–68 and earned a bachelor’s degree in English, with high honors, from West Virginia University in 1970. Her M.A. in English (Creative Writing) in 1973 and an M.S.W. in 1977 were also from WVU. She served as visiting writer at several universities, including the University of Pittsburgh, the University of Oregon, Pennsylvania State University, Hamilton College, and West Virginia University.

In 1989, Anderson began teaching creative writing at Kent State University and was appointed coordinator of the Wick Poetry Program in 1992. In 2004, when the Wick Poetry Program celebrated its 20th anniversary and received a $2 million endowment to create the Wick Poetry Center in the College of Arts and Sciences, Anderson was named director. Anderson was on the founding committee of the Northeast Ohio Master of Fine Arts in Creative Writing and served as Kent State University’s Campus Coordinator for the NEOMFA from 2003–2006 and as Director of the Northeast Ohio MFA Consortium from 2006-2009. Upon her retirement from KSU in 2009, the Maggie Anderson Endowment Fund was established in her honor. The Fund aims to assist talented writing students at the university with writing-related travel expenses.

Anderson is the author of several poetry collections, the most recent of which is Windfall: New and Selected Poems (University of Pittsburgh Press, 2000), and the founder and editor of the Wick Poetry First Book Series and the Wick Poetry Chapbook Series for Ohio Poets (Kent State University Press, 1993–2011). In 1971 she co-founded Trellis, a poetry journal, with Winston Fuller and Irene McKinney, and served as  editor until 1981.

Anderson’s awards and honors include two fellowships in poetry from the National Endowment for the Arts and grants from the Ohio Arts Council and the MacDowell Colony, including an Isabella Gardner Fellowship. In 2004, Emory and Henry College in Virginia honored her at their 23rd annual Appalachian Literary Festival, and Kent State University honored her with a Distinguished Scholar Award. In 2003, she received the Helen and Laura Kraut Memorial Ohioana Poetry Award from the Ohioana Library Association. In 2002, the KSU Alumni Association awarded her one of just three University Distinguished Teaching Awards.

 

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Robert Wrigley

Robert Wrigley teaches in the MFA program in creative writing at the University of Idaho. His books include Moon In a Mason Jar (University of Illinois, 1986); What My Father Believed (Illinois, 1991); In the Bank of Beautiful Sins (Penguin, 1995) winner of the San Francisco Poetry Center Book Award; Reign of Snakes (Penguin, 1999), winner of the Kingsley Tufts Award; Lives of the Animals (Penguin, 2003), winner of the Poets’ Prize; Earthly Meditations: New and Selected Poems (Penguin, 2006); and most recently, Beautiful Country (Penguin, 2010). Forthcoming in March 2013 is The Chuch of Omnivorous Light: Poems New and Selected (Bloodaxe Book, UK); and in April 2013, Anatomy of Melancholy & Other Poems (Penguin). He is the recipient of two fellowships from the National Endowment for the Arts, as well as a fellowship from the John Simon Guggenheim Memorial Foundation.  Among his other awards are the J. Howard and Barbara M. J. Wood Prize; and six Pushcart

Prizes. He lives with his wife, the writer Kim Barnes, near Moscow, Idaho.

 

 

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Donald Hall

 

Donald Hall was born in New Haven, Connecticut, in 1928. He began writing as an adolescent and attended the Bread Loaf Writers' Conference at the age of sixteen—the same year he had his first work published. He earned a B.A. from Harvard in 1951 and a B. Litt. from Oxford in 1953.

Donald Hall has published numerous books of poetry, most recently White Apples and the Taste of Stone: Selected Poems 1946-2006 (Houghton Mifflin, 2006); The Painted Bed (2002) andWithout: Poems (1998), which was published on the third anniversary of his wife and fellow poet Jane Kenyon's death from leukemia. Other notable collections include The One Day (1988), which won the National Book Critics Circle Award, theLos Angeles Times Book Prize, and a Pulitzer Prize nomination;The Happy Man (1986), which won the Lenore Marshall Poetry Prize; and Exiles and Marriages (1955), which was the Academy's Lamont Poetry Selection for 1956.

Besides poetry, Donald Hall has written books on baseball, the sculptor Henry Moore, and the poet Marianne Moore. He is also the author of children's books, including Ox-Cart Man (1979), which won the Caldecott Medal; short stories, including Willow Temple: New and Selected Stories (Houghton Mifflin, 2003); and plays. He has also published several autobiographical works, such as The Best Day The Worst Day: Life with Jane Kenyon (2005) and Life Work (1993), which won the New England Book award for nonfiction.

Hall has edited more than two dozen textbooks and anthologies, including The Oxford Book of Children's Verse in America (1990), The Oxford Book of American Literary Anecdotes (1981), New Poets of England and America (with Robert Pack and Louis Simpson, 1957), and Contemporary American Poetry (1962; revised 1972). He served as poetry editor of The Paris Review from 1953 to 1962, and as a member of editorial board for poetry at Wesleyan University Press from 1958 to 1964.

His honors include two Guggenheim fellowships, the Poetry Society of America's Robert Frost Silver medal, a Lifetime Achievement award from the New Hampshire Writers and Publisher Project, and the Ruth Lilly Prize for poetry. Hall also served as Poet Laureate of New Hampshire from 1984 to 1989. In the June 2006, Hall was appointed the Library of Congress's fourteenth Poet Laureate Consultant in Poetry. He lives in Danbury, New Hampshire.

 

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Robert W. Nunn

 

Robert W. Nunn, currently with Sussman Shank LLP, has over 30 years of handling business issues, serving as counsel to such primary clients as software companies, equipment manufacturers, nonprofit organizations and family business. A member of the founding board of Mountain Writers Series, he continues to serve the organization as advisor and general counsel. Mr. Nunn is a trustee for Willamette University and over the years has served as a member or director of many civic organizations. He education includes degrees from Willamette University (BS), Northeastern University in Boston (MS/MBA), and University of Oregon School of Law (JD).

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